Ghosts in the attic: Platt Hall
And so many ideas about how we might exhibit some of these things in this amazing space (especially following our visit to Enchanted Palace at Kensington Palace, and the Concise Dictionary of Dress at Blythe House). A giant dolls’ house in itself… Where will these thoughts take us? We shared some interesting comments with Miles too about whether Mary’s collection only came into the gallery because of a desire to have the ‘grander, more important’ ceramics collection of her husband. Miles always refers to Mary as ‘Mrs Greg’. I like that. I wonder if there is a difference in the generalised contrast between the ‘scientific’ collecting of men (e.g. the costumes of Mr Cunnington who apparently could have been a ceramics collector had ceramics been more affordable – instead he looked to something affordable and other – e.g. costume – that he could catalogue, collect specimens and almost finalise) and that of women – Mary who collected what she loved because it was beautifully crafted, domestic, just a lovely thing that she wanted to share with others, particularly children.
So many ideas. So much that we still haven’t seen.
In the meantime, look here on Flickr for further pictures I took today…
Alex
What a wonderful day you must have had, I wish I’d been there too! Was there any sign of the bonnet Mary wore in the silhouette of her? And I wonder whether any of the sewing equipment belonged to her? She was a keen embroiderer. As there are a few objects in the collection that belonged to her family, it is quite possible that there are some of her own personal things there too! Sharon